What’s good ya’ll?! Just writing to let you know I’m in “Nylon: guys” this month, no homo… I forgot until my man Cliff Chiang reminded me (while you’re at it, check out Cliff’s work, he’s a monster). It’s Cliff, Pope and some other dudes that are pretty good, but I don’t know their work so I don’t remember their names. Just pick the mag up, read the article and find out, people. Maybe get the science on how to up the geek game to baller status while you’re at it. Let’s give these metros a run for their money, pause
Shout to Corrrey and GranBran, two other comic rock stars, whom I shouted out in the article. oh… and
I’m gonna start to work on the POC April desktop… it’s late people, I know. What can I say, I’m grinding.
“Why do you choose to use the Wu Tang school method against me?…”
“…I’ve learned so many styles, forgive me.”
Something different.
Some Icons I did for the next issue of “Urb”… some next 100 or something.
Shout out to Lex and the whole KDU. Do the Damn thing!
More than a few years back, I think maybe before I got into comics, I forget… I did a video for Nas’ v “These are our heroes”… it was unreleased.
Maybe I’ll put some of the artwork up here when I get a second to breath, but anyway…
I’m honored to have done something for Nas, but this animation was a hard lesson for me for allot of reasons. I won’t go into details…
Just be ready to fail sometimes, and not always directly by your own hand… and be prepared to learn from those failures, cause if you don’t, you’re a dumbass.
LAST WORD I didn’t do the timing or the sinc… actually I did make editing/timing notes and my man Raph Tanghal did timing sheets based on them- as well as A GRIP of other shit, and his notations were completely disregarded by the director/editor.
Hey everybody,
I’ve been in europe for the last six or so weeks; that’s why there have been no posts. I’m writing this post from my iphone, so no pictures/drawings, but expect many after I return.
I wont get into details now; I’m just posting to let readers know that I haven’t forsaken my post.
I started my eurotrip in Tuscany, where I put in six weeks of work as a featured extra in Spike Lee’s next film, “Miracle at St. Anna”. Now I’m in Berlin, crashing with some faux Nazis. I expect I’ll be wandering Europe for another week or so. Seeya when I get back.
So ok… from now on, when I see a flick or a show I’m gonna write a little something about it. The name of this editorial will be “ticket stub”. The gospel it aint, just my oppinion and a little bit of color. I’ll give the short and the long of it. The short will describe things in a way as not to devulge details because I like to see a film with almost no knowledge of the story and I don’t want to spoil it for you guys. The long will be my interpretation or oppinion.
